Humanities Study Guide

Humanities Study Guide

Chapter 7: The 17th Century

Overview In this chapter we dive into the Baroque style and the cultural elements that informed its creation. We’ll also note on the recycling of artistic elements in the rise of Neoclassicism. Learning Objectives At the end of this chapter, you will be able to: • Define the characteristics of Baroque and Neoclassical styles • Identify key artists and architects of the 17th Century • Understand some of the major scientific advancements of the time 7.1 The Baroque and Neoclassical Baroque The Baroque style can be described best as an aesthetic of extravagant beauty. We can understand this period best by examining artists during the time and their accomplishments. Neoclassical In France, Louis the XIV was King and he was passionate about the arts. Using the arts to glorify his reign, he emphasized the need to let go of the Italian influences and create a new cultural center in France. He sponsored schools for artists, which allowed them to find their passions, and subsequently, he controlled the arts. He is known for sparking the revival of the ancient Roman and Greek styles, which became known as neoclassical art. Architecture Bernini, one of the most prominent artists of the time, was commissioned by various noble families and Catholic churches to complete numerous projects, including the decoration of St. Peter’s Basilica. The Pope of the time endorsed his work and supported his efforts to complete projects in the city. He was a skilled painter, architect, and sculptor. Typical of the Baroque style, Bernini frequently incorporated twisted and diagonal lines in his sculptures, like his David, which is noticeably different fromMichelangelo’s David. In his architectural design, Bernini often used twisting columns that were elaborately decorated and monumental in size. In France we see the Baroque style as it blends with emerging Neoclassicism, and themost prominent example of both styles coming together is in the Palace of Versailles . Spanning hundreds of acres, it is a vast and elaborate fortress. Constructed by Louis Le Vau, it has a symmetrical design that places the importance of the king at the center. Le Vau partnered with landscape artist Andre le Notre and interior designer Charles Lebrun to design this immense palace. Originally, it was meant to serve as

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